At the end of 1942, after a six-month period of (initially voluntary) incarceration in an Arizona concentration camp for Japanese Americans, Noguchi embarked on a series of interlocking sculptures. Comprised of sheets of marble, slate and wood, carved and slotted together, these balanced forms are a testament to his unusually industrial-design-oriented conception of what it meant to be a sculptor and, in particular, an American artist. Noguchi wrote of the ‘ever-changing adjustment of the human

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